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Andras Szirtes

András Szirtes

Ungarn / Website


András Szirtes was born in 1951 in Budapest, Hungary. He made his very first films under the strong influence of the film avant-garde, especially another Hungarian filmmaker János Tóth. Szirtes’ work is closely bonded with the Béla Balázs Studio. Even his early works are strongly personal; his films show unmistakeable traces of a personal diary, and the author’s physical self is a part of nearly every picture. Szirtes’ top project undoubtedly is Diaries/ Napló (1979–2004). He finished cutting the first eight parts of this intimate film testimony in 1983. He continued recording his everyday life after he had left for the USA, and finished the second series of eight in 2003. His poetic film opus Dawn/ Hajnal (1973–1980) was also being born during several years, using nine hours of raw material and six thousand photographical motives. The screenplay for another major picture Gravitation/ Gravitácio (1981) was already finished in 1981. Unfortunately he wasn’t able to raise enough funds for the project, so he made a montage film, composed mainly of archive shots, whose aim was, literally, 'to kick in the ass’. A cynical, anarchic picture, with themes reflecting both physical and social attraction, is a collage of dead bodies and meat grinders, gunshots, mirrored games and scratches on the film reel. In 1983, Szirtes made his first feature-length film, a musical and lyrical essay The History of Pronuma Boys/ A Pronuma boyok torténete (1983) that opens with swearing at the audience who 'intend to watch that stupid movie’. After the Revolution/ Forradalom után (1989) was made as a virtue of necessity: the picture was shot, due to the lack of money, using low-quality video material, and when finished, Szirtes said that it was his cat that made it. Last Szirtes' project made in Béla Balázs Studio is The Baby’s Breakfast/ A kisbaba reggelije (1995). The director shot this film using the original hand crank Debrie camera and Gaumont projector, and presented it in Grand Café in Paris exactly one hundred years after the Lumière brothers’ first film show.
"I have never shot real documentaries. My films are deeper, more personal. Whenever I got invited to a film festival, they always hesitated when it came to characterising my work. It is sometimes an experiment, sometimes a very personal testimony, once full of fiction, next time rather documentary. That’s why I always asked to label my work simply “szirtesfilmS," says András Szirtes.


Cipők/ Shoes (3´, Hungary, 1967)
Tiltakozók/ Dissident´s (14´, Hungary, 1968)
Bisztro/ Suburb (8´, Hungary, 1972)
Vázlat/ Sketch – together with Agnes Hay (2´, Hungary, 1973)
Szelet/ Slice (13´, Hungary, 1973)
Madarak/ Birds (8´, Hungary, 1973-76)
Hajnal/ Dawn (21´, Hungary, 1973-80)
Woyzeck (90´, Hungary, 1979)
Napló No.1-8/ Diaries No.1-8. (170´, Hungary, 1979-83)
Gravitáció/ Gravitation (21´, Hungary, 1981)
Tükör-tükröződés/ Mirror-reflection – together with Lujza Gecser (21´, Hungary, 1982)
A Pronuma Bolyok története/ The History of Pronuma Boys (90´, Hungary, 1983)
Lenz (100´, Hungary, 1984-85)
UFO (51´, Hungary, 1987)
RAP levelek/ Rapletters (38´, Hungary, 1987)
Forradalom után/ After the Revolution (90´, Hungary, 1987-89)
Új kormány a hegyen/ New Goverment on the Hill (8´, Hungary, 1989)
Üzenetek a Holdról/ Messages from the Moon (17´, Hungary, 1990)
Sade márki és élete/ Marquis de Sade and his life (120´, Hungary, 1990-93)
A kisbaba reggelije/ The Baby´s Breakfast (42´, Hungary, 1993-95)
Bevezetés a filmkészítés rejtelmeibe, I-VIII/ Introducing the Film I-VIII (360´, Hungary, 1993-96)
A kisbaba, a kutya meg én/ The Baby, the Dog and Me (46´, Hungary, 1996)
Fejezetek a Balázs Béla Stúdió történetéből/ Chapter from the History of Studio Bela Balazs (180´, Hungary, 1997-98)
A lélek súlya/ The Weight of the Soul (28´, Hungary, 1998)
Napló, no. 9-15/ Diaries No.9-15 (250´, Hungary, 1979-2000)
Triptichon (72´, Hungary, 2000)
Budapestről jut eszembe/ A propos the Budapest (30´, Hungary, 2000-01)
Az utolsó mohikán/ The Last Mohican (26´, Hungary, 2001-02)
Napló No.16. Lujzika/ Diaries No.16, Lujzika (86´, Hungary, 2000-03)
Napló No.17. Mikrokozmosz I-VII/ Diaries No.17 Microcosmos I-VII (300´, Hungary, 2000-03)
Tiszta szívvel/ Open Hearted (21´, Hungary, 2003-04)
Dear Daughter (83´, Hungary, 1995-2004)
K. Z. emlékei/ Memory of K. Z. (28´, Hungary, 2006-07)
Juliette (71´, Hungary, 2007-09)



Madarak (Orig.) / 1981 / Ungarn / 8 min

A film study in which the symbol of flight which contradicts human limitations inspires an emotional rhythm of scenes varying along three lines.




Hajnal (Orig.) / 1973 / Ungarn / 21 min

Szirtes's masterful experimental work is a dazzling composition of several years of filming within an industrial macro/microcosm, an abstract model of revolution and the beauty of daybreak.



Diaries 1 - 8

Napló No. 1 - 8 (Orig.) / 1984 / Ungarn / 170 min

Film journals are constantly being made and edited and end in death - Szirtes's intimate social journals are an epic, multi-layered system, a remarkable reflection of an individual and of contemporary mores.




Gravitáció (Orig.) / 1981 / Ungarn / 21 min

Scratched film stock that reminds us that film remains in a state of birth, a shocking poem of physical suffering and the danger of organized violence that can be denied by a cynical but free gesture.



Memory of K. Z. (Phototherapy No. 1)

K. Z. emlékei (Phototherapy No. 1) (Orig.) / 2006 / Ungarn / 28 min

Photographic and filmic portraits of women with engaged and disengaged expressions, forced smiles, nodding, evasive; the film's description gives a source for the photographs, but their authenticity is uncertain.




Bisztro (Orig.) / 1972 / Ungarn / 8 min

A romantically charged cinematic poem capturing the mood in Budapest in the late 1960s and early 1970s, in a work inspired by avant-garde films of the 1920s and directors such as Walter Ruttman and Dziga Vertov.



Visegrad? Where the hell is that?

Visegrad? Where the hell is that?

With this daring motto, playfully ironic visual design and primarily interesting film selection, Visegrad Film Festival presented its programme in Cork, Ireland. How was it, where does it go and why is it actually held in Ireland?

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- 26.9.2016 -

A Showcase of Asian Documentary Film Jewels? TIDF!

A Showcase of Asian Documentary Film Jewels? TIDF!

The interest in all things Asian is growing faster than capital markets in the global world. That goes for documentary films as well. The contemporary production of Asian documentary filmmakers is regularly presented by Taiwan International Documentary Festival.

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- 12.9.2016 -

Gulîstan, Land of Roses Wins Prestigious Doc Alliance Selection Award at Locarno IFF

Gulîstan, Land of Roses Wins Prestigious Doc Alliance Selection Award at Locarno IFF

On Sunday, August 7, young director Zaynê Akyol became the 9th winner of the unique Doc Alliance Selection Award that is awarded since 2008 by the international Doc Alliance platform. The Kurdish director based in Canada received the award during an award ceremony at Locarno IFF. Along with the award, the filmmaker also received financial support of 5.000 euro for her future film.

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- 8.8.2016 -

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